This is another lick....
have fun..!!!
Lets say we pick A7 in a blues-situation, that means we are in the key of C and the mixolydian-scale starting with
the note G would fit perfectly. As a little reminder here is the mixo-scale starting on the 12th fret..
|---------------------------------12--13--15--|
|---------------12---13---15------------------|
|--12---14------------------------------------|
|---------------------------------------------|
|---------------------------------------------|
|---------------------------------------------|
Here we have that outside-lick
some A-melodic-minor color is added:
|-14---16---12--------------------------------|
|-----------------12---15--13---12------------|
|-----------------------------------13-----14-|
|-------------------------------------13------|
|---------------------------------------------|
|---------------------------------------------|
Important is that the outside-notes leads inside again, here we
go back to the note A. This line features and underlines the
notes Gb,Ab and Eb which gives your C tonality an optional #9,
an #11 and an extra 7. Sounds not bad when you get a bit more
used to it. Remember that rhythmic phrasing is the key to good
lines, so stress the inside-notes a bit more. The optional notes
color the chord you are playing over. It is the same if you play
an C-maj7 or an A-min7 or A7. They fit... believe it.
If you just add the f# to your G-mixo-scale you get that
favourit BeBop-Scale the guys in the 40 and 50th invented.
It looks like this and adds more chromatical character to
the mixo-mode:
|---------------------------------12--13-14-15-|
|---------------12---13---15-------------------|
|--12---14-------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
Try this line made out of the bebob-scale:
|---12-15--12-14--13--12------12--------------|
|-------------------------15------13--15~b~17-|
|---------------------------------------------|
|---------------------------------------------|
|---------------------------------------------|
|---------------------------------------------|
Another one with lots of chromatic (and a Fmaj9/#11 arpreggio
in the beginning:
|-----------------------17--16-----------------|
|---------------15--18---------18---15--16--17-|
|-------14--16---------------------------------|
|---15-----------------------------------------|
|----------------------------------------------|
|----------------------------------------------|
Almost the same line an octave lower and with even more chromatic at
the end..... if you play this one real fast and good phrased its a
spectacular killer....
-------------------------------------------------------
----------------------------------------15-14-13-12-13-
-------------------14-13-------------12----------------
-----------12--15--------15-12-13-14-------------------
----12--14---------------------------------------------
-11----------------------------------------------------
The combination of arpreggios and chromatic is a wonderful mean to get
out of this boring scale-playing.. try this one and listen to Larry Carltons
Solo on Steely Dan "Kid Charlemagne" , you should find lots of this kind..
|--------------------------------8-------|
|------------------------8-9-10----8b10--|
|--------------7-------9-----------------|
|--------7-8-9----9-10-------------------|
|--7-10----------------------------------|
|----------------------------------------|
Use this diminished arpreggios and sweep them fast to the
upper c-note and bend to d:
-----------11HO14-----------14HO17-----------17HO20b22-
--------13---------------16---------------19-----------
-11HO14-----------14HO17-----------17HO20--------------
-------------------------------------------------------
-------------------------------------------------------
-------------------------------------------------------
(source :Roland kalus)
I like arpegious..because this lick is very nice,and very
beautiful if u can play fast
Let practice guy...!!!
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